Is a tribute to the tradition of the Catalan sobretaula: that moment of pause and conversation where local spirits always take center stage. This new collection, featuring a Moscatell and a Ratafia, seeks to convey this warmth in an approachable way, using short excerpts of Catalan verse to reinforce the product's origin and local character.
The GS Triomf and Droulers Clarendon typography evoke this sense of tradition alongside a color palette of carmine and terracotta tones, paired with print on porous paper that invites touch.
Is a tribute to the tradition of the Catalan sobretaula: that moment of pause and conversation where local spirits always take center stage. This new collection, featuring a Moscatell and a Ratafia, seeks to convey this warmth in an approachable way, using short excerpts of Catalan verse to reinforce the product's origin and local character.
The GS Triomf and Droulers Clarendon typography evoke this sense of tradition alongside a color palette of carmine and terracotta tones, paired with print on porous paper that invites touch.
Is a tribute to the tradition of the Catalan sobretaula: that moment of pause and conversation where local spirits always take center stage. This new collection, featuring a Moscatell and a Ratafia, seeks to convey this warmth in an approachable way, using short excerpts of Catalan verse to reinforce the product's origin and local character.
The GS Triomf and Droulers Clarendon typography evoke this sense of tradition alongside a color palette of carmine and terracotta tones, paired with print on porous paper that invites touch.
Is a tribute to the tradition of the Catalan sobretaula: that moment of pause and conversation where local spirits always take center stage. This new collection, featuring a Moscatell and a Ratafia, seeks to convey this warmth in an approachable way, using short excerpts of Catalan verse to reinforce the product's origin and local character.
The GS Triomf and Droulers Clarendon typography evoke this sense of tradition alongside a color palette of carmine and terracotta tones, paired with print on porous paper that invites touch.
Is a tribute to the tradition of the Catalan sobretaula: that moment of pause and conversation where local spirits always take center stage. This new collection, featuring a Moscatell and a Ratafia, seeks to convey this warmth in an approachable way, using short excerpts of Catalan verse to reinforce the product's origin and local character.
The GS Triomf and Droulers Clarendon typography evoke this sense of tradition alongside a color palette of carmine and terracotta tones, paired with print on porous paper that invites touch.
Is a tribute to the tradition of the Catalan sobretaula: that moment of pause and conversation where local spirits always take center stage. This new collection, featuring a Moscatell and a Ratafia, seeks to convey this warmth in an approachable way, using short excerpts of Catalan verse to reinforce the product's origin and local character.
The GS Triomf and Droulers Clarendon typography evoke this sense of tradition alongside a color palette of carmine and terracotta tones, paired with print on porous paper that invites touch.
Is a tribute to the tradition of the Catalan sobretaula: that moment of pause and conversation where local spirits always take center stage. This new collection, featuring a Moscatell and a Ratafia, seeks to convey this warmth in an approachable way, using short excerpts of Catalan verse to reinforce the product's origin and local character.
The GS Triomf and Droulers Clarendon typography evoke this sense of tradition alongside a color palette of carmine and terracotta tones, paired with print on porous paper that invites touch.
Palillu (a local colloquialism for toothpick) is a tavern brand that reclaims the essence of the traditional 'pincho' bar: the joy of eating with one’s hands and the value of local sourcing. The identity centers around the most humble yet iconic element of this culinary ritual: the toothpick.
The visual language explores the morphology of the toothpick through a bold cream and red palette. The typographic system is designed to mirror the brand’s soul: the extreme verticality of Action Cond (Commercial Type) evokes the elongated shape of the 'palillu', while ABC Favorit (Dinamo) provides a structural counterpoint, ensuring a balanced and contemporary aesthetic across all touchpoints.
Palillu (a local colloquialism for toothpick) is a tavern brand that reclaims the essence of the traditional 'pincho' bar: the joy of eating with one’s hands and the value of local sourcing. The identity centers around the most humble yet iconic element of this culinary ritual: the toothpick.
The visual language explores the morphology of the toothpick through a bold cream and red palette. The typographic system is designed to mirror the brand’s soul: the extreme verticality of Action Cond (Commercial Type) evokes the elongated shape of the 'palillu', while ABC Favorit (Dinamo) provides a structural counterpoint, ensuring a balanced and contemporary aesthetic across all touchpoints.
Palillu (a local colloquialism for toothpick) is a tavern brand that reclaims the essence of the traditional 'pincho' bar: the joy of eating with one’s hands and the value of local sourcing. The identity centers around the most humble yet iconic element of this culinary ritual: the toothpick.
The visual language explores the morphology of the toothpick through a bold cream and red palette. The typographic system is designed to mirror the brand’s soul: the extreme verticality of Action Cond (Commercial Type) evokes the elongated shape of the 'palillu', while ABC Favorit (Dinamo) provides a structural counterpoint, ensuring a balanced and contemporary aesthetic across all touchpoints.
Palillu (a local colloquialism for toothpick) is a tavern brand that reclaims the essence of the traditional 'pincho' bar: the joy of eating with one’s hands and the value of local sourcing. The identity centers around the most humble yet iconic element of this culinary ritual: the toothpick.
The visual language explores the morphology of the toothpick through a bold cream and red palette. The typographic system is designed to mirror the brand’s soul: the extreme verticality of Action Cond (Commercial Type) evokes the elongated shape of the 'palillu', while ABC Favorit (Dinamo) provides a structural counterpoint, ensuring a balanced and contemporary aesthetic across all touchpoints.
Palillu (a local colloquialism for toothpick) is a tavern brand that reclaims the essence of the traditional 'pincho' bar: the joy of eating with one’s hands and the value of local sourcing. The identity centers around the most humble yet iconic element of this culinary ritual: the toothpick.
The visual language explores the morphology of the toothpick through a bold cream and red palette. The typographic system is designed to mirror the brand’s soul: the extreme verticality of Action Cond (Commercial Type) evokes the elongated shape of the 'palillu', while ABC Favorit (Dinamo) provides a structural counterpoint, ensuring a balanced and contemporary aesthetic across all touchpoints.
Palillu (a local colloquialism for toothpick) is a tavern brand that reclaims the essence of the traditional 'pincho' bar: the joy of eating with one’s hands and the value of local sourcing. The identity centers around the most humble yet iconic element of this culinary ritual: the toothpick.
The visual language explores the morphology of the toothpick through a bold cream and red palette. The typographic system is designed to mirror the brand’s soul: the extreme verticality of Action Cond (Commercial Type) evokes the elongated shape of the 'palillu', while ABC Favorit (Dinamo) provides a structural counterpoint, ensuring a balanced and contemporary aesthetic across all touchpoints.
Drawing inspiration from the iconic '92 urban beautification campaign, this fanzine offers a critical lens on Barcelona’s Eixample district. Through raw graphic language and experimental typography, the project builds a visual narrative that challenges the idealized image of the neighborhood, deconstructing the institutional myths of the actual city.
While the copy maintains a polished, institutional tone, the layout and visual aesthetic subvert this narrative to reveal a harsher, unfiltered reality. This deliberate friction between form and content exposes the gap between official rhetoric and everyday life. Ultimately, the project reclaims the fanzine as a powerful space for critical dissent and experimentation within contemporary editorial design.
While the copy maintains a polished, institutional tone, the layout and visual aesthetic subvert this narrative to reveal a harsher, unfiltered reality. This deliberate friction between form and content exposes the gap between official rhetoric and everyday life. Ultimately, the project reclaims the fanzine as a powerful space for critical dissent and experimentation within contemporary editorial design.
Drawing inspiration from the iconic '92 urban beautification campaign, this fanzine offers a critical lens on Barcelona’s Eixample district. Through raw graphic language and experimental typography, the project builds a visual narrative that challenges the idealized image of the neighborhood, deconstructing the institutional myths of the actual city.
While the copy maintains a polished, institutional tone, the layout and visual aesthetic subvert this narrative to reveal a harsher, unfiltered reality. This deliberate friction between form and content exposes the gap between official rhetoric and everyday life. Ultimately, the project reclaims the fanzine as a powerful space for critical dissent and experimentation within contemporary editorial design.
While the copy maintains a polished, institutional tone, the layout and visual aesthetic subvert this narrative to reveal a harsher, unfiltered reality. This deliberate friction between form and content exposes the gap between official rhetoric and everyday life. Ultimately, the project reclaims the fanzine as a powerful space for critical dissent and experimentation within contemporary editorial design.
Drawing inspiration from the iconic '92 urban beautification campaign, this fanzine offers a critical lens on Barcelona’s Eixample district. Through raw graphic language and experimental typography, the project builds a visual narrative that challenges the idealized image of the neighborhood, deconstructing the institutional myths of the actual city.
While the copy maintains a polished, institutional tone, the layout and visual aesthetic subvert this narrative to reveal a harsher, unfiltered reality. This deliberate friction between form and content exposes the gap between official rhetoric and everyday life. Ultimately, the project reclaims the fanzine as a powerful space for critical dissent and experimentation within contemporary editorial design.
While the copy maintains a polished, institutional tone, the layout and visual aesthetic subvert this narrative to reveal a harsher, unfiltered reality. This deliberate friction between form and content exposes the gap between official rhetoric and everyday life. Ultimately, the project reclaims the fanzine as a powerful space for critical dissent and experimentation within contemporary editorial design.
Drawing inspiration from the iconic '92 urban beautification campaign, this fanzine offers a critical lens on Barcelona’s Eixample district. Through raw graphic language and experimental typography, the project builds a visual narrative that challenges the idealized image of the neighborhood, deconstructing the institutional myths of the actual city.
While the copy maintains a polished, institutional tone, the layout and visual aesthetic subvert this narrative to reveal a harsher, unfiltered reality. This deliberate friction between form and content exposes the gap between official rhetoric and everyday life. Ultimately, the project reclaims the fanzine as a powerful space for critical dissent and experimentation within contemporary editorial design.
While the copy maintains a polished, institutional tone, the layout and visual aesthetic subvert this narrative to reveal a harsher, unfiltered reality. This deliberate friction between form and content exposes the gap between official rhetoric and everyday life. Ultimately, the project reclaims the fanzine as a powerful space for critical dissent and experimentation within contemporary editorial design.
Drawing inspiration from the iconic '92 urban beautification campaign, this fanzine offers a critical lens on Barcelona’s Eixample district. Through raw graphic language and experimental typography, the project builds a visual narrative that challenges the idealized image of the neighborhood, deconstructing the institutional myths of the actual city.
While the copy maintains a polished, institutional tone, the layout and visual aesthetic subvert this narrative to reveal a harsher, unfiltered reality. This deliberate friction between form and content exposes the gap between official rhetoric and everyday life. Ultimately, the project reclaims the fanzine as a powerful space for critical dissent and experimentation within contemporary editorial design.
While the copy maintains a polished, institutional tone, the layout and visual aesthetic subvert this narrative to reveal a harsher, unfiltered reality. This deliberate friction between form and content exposes the gap between official rhetoric and everyday life. Ultimately, the project reclaims the fanzine as a powerful space for critical dissent and experimentation within contemporary editorial design.
Drawing inspiration from the iconic '92 urban beautification campaign, this fanzine offers a critical lens on Barcelona’s Eixample district. Through raw graphic language and experimental typography, the project builds a visual narrative that challenges the idealized image of the neighborhood, deconstructing the institutional myths of the actual city.
While the copy maintains a polished, institutional tone, the layout and visual aesthetic subvert this narrative to reveal a harsher, unfiltered reality. This deliberate friction between form and content exposes the gap between official rhetoric and everyday life. Ultimately, the project reclaims the fanzine as a powerful space for critical dissent and experimentation within contemporary editorial design.
While the copy maintains a polished, institutional tone, the layout and visual aesthetic subvert this narrative to reveal a harsher, unfiltered reality. This deliberate friction between form and content exposes the gap between official rhetoric and everyday life. Ultimately, the project reclaims the fanzine as a powerful space for critical dissent and experimentation within contemporary editorial design.
Drawing inspiration from the iconic '92 urban beautification campaign, this fanzine offers a critical lens on Barcelona’s Eixample district. Through raw graphic language and experimental typography, the project builds a visual narrative that challenges the idealized image of the neighborhood, deconstructing the institutional myths of the actual city.
While the copy maintains a polished, institutional tone, the layout and visual aesthetic subvert this narrative to reveal a harsher, unfiltered reality. This deliberate friction between form and content exposes the gap between official rhetoric and everyday life. Ultimately, the project reclaims the fanzine as a powerful space for critical dissent and experimentation within contemporary editorial design.
While the copy maintains a polished, institutional tone, the layout and visual aesthetic subvert this narrative to reveal a harsher, unfiltered reality. This deliberate friction between form and content exposes the gap between official rhetoric and everyday life. Ultimately, the project reclaims the fanzine as a powerful space for critical dissent and experimentation within contemporary editorial design.
Drawing inspiration from the iconic '92 urban beautification campaign, this fanzine offers a critical lens on Barcelona’s Eixample district. Through raw graphic language and experimental typography, the project builds a visual narrative that challenges the idealized image of the neighborhood, deconstructing the institutional myths of the actual city.
While the copy maintains a polished, institutional tone, the layout and visual aesthetic subvert this narrative to reveal a harsher, unfiltered reality. This deliberate friction between form and content exposes the gap between official rhetoric and everyday life. Ultimately, the project reclaims the fanzine as a powerful space for critical dissent and experimentation within contemporary editorial design.
While the copy maintains a polished, institutional tone, the layout and visual aesthetic subvert this narrative to reveal a harsher, unfiltered reality. This deliberate friction between form and content exposes the gap between official rhetoric and everyday life. Ultimately, the project reclaims the fanzine as a powerful space for critical dissent and experimentation within contemporary editorial design.
The visual identity for Senyor Trap is built on the collision of two antagonistic worlds: trap aesthetics and traditional bourgeois codes. The project explores the friction between these seemingly irreconcilable realms, creating a narrative where classic exclusivity and underground rawness converge into a 'high-low' aesthetic.
This duality is translated through a deliberate typographic pairing: Caslon (1722) provides historical weight and tradition, while Helvetica Neue serves as a structural counterpoint, offering urban neutrality and contemporary functionality.
The chromatic system relies on a sober black-and-white base, with red acting as a disruptive element to evoke distortion and rage. This logic extends to the art direction, featuring direct-flash photography and heavy grain to capture the visceral fusion of luxury spaces and raw street iconography.
This duality is translated through a deliberate typographic pairing: Caslon (1722) provides historical weight and tradition, while Helvetica Neue serves as a structural counterpoint, offering urban neutrality and contemporary functionality.
The chromatic system relies on a sober black-and-white base, with red acting as a disruptive element to evoke distortion and rage. This logic extends to the art direction, featuring direct-flash photography and heavy grain to capture the visceral fusion of luxury spaces and raw street iconography.
The visual identity for Senyor Trap is built on the collision of two antagonistic worlds: trap aesthetics and traditional bourgeois codes. The project explores the friction between these seemingly irreconcilable realms, creating a narrative where classic exclusivity and underground rawness converge into a 'high-low' aesthetic.
This duality is translated through a deliberate typographic pairing: Caslon (1722) provides historical weight and tradition, while Helvetica Neue serves as a structural counterpoint, offering urban neutrality and contemporary functionality.
The chromatic system relies on a sober black-and-white base, with red acting as a disruptive element to evoke distortion and rage. This logic extends to the art direction, featuring direct-flash photography and heavy grain to capture the visceral fusion of luxury spaces and raw street iconography.
This duality is translated through a deliberate typographic pairing: Caslon (1722) provides historical weight and tradition, while Helvetica Neue serves as a structural counterpoint, offering urban neutrality and contemporary functionality.
The chromatic system relies on a sober black-and-white base, with red acting as a disruptive element to evoke distortion and rage. This logic extends to the art direction, featuring direct-flash photography and heavy grain to capture the visceral fusion of luxury spaces and raw street iconography.
The visual identity for Senyor Trap is built on the collision of two antagonistic worlds: trap aesthetics and traditional bourgeois codes. The project explores the friction between these seemingly irreconcilable realms, creating a narrative where classic exclusivity and underground rawness converge into a 'high-low' aesthetic.
This duality is translated through a deliberate typographic pairing: Caslon (1722) provides historical weight and tradition, while Helvetica Neue serves as a structural counterpoint, offering urban neutrality and contemporary functionality.
The chromatic system relies on a sober black-and-white base, with red acting as a disruptive element to evoke distortion and rage. This logic extends to the art direction, featuring direct-flash photography and heavy grain to capture the visceral fusion of luxury spaces and raw street iconography.
This duality is translated through a deliberate typographic pairing: Caslon (1722) provides historical weight and tradition, while Helvetica Neue serves as a structural counterpoint, offering urban neutrality and contemporary functionality.
The chromatic system relies on a sober black-and-white base, with red acting as a disruptive element to evoke distortion and rage. This logic extends to the art direction, featuring direct-flash photography and heavy grain to capture the visceral fusion of luxury spaces and raw street iconography.
The visual identity for Senyor Trap is built on the collision of two antagonistic worlds: trap aesthetics and traditional bourgeois codes. The project explores the friction between these seemingly irreconcilable realms, creating a narrative where classic exclusivity and underground rawness converge into a 'high-low' aesthetic.
This duality is translated through a deliberate typographic pairing: Caslon (1722) provides historical weight and tradition, while Helvetica Neue serves as a structural counterpoint, offering urban neutrality and contemporary functionality.
The chromatic system relies on a sober black-and-white base, with red acting as a disruptive element to evoke distortion and rage. This logic extends to the art direction, featuring direct-flash photography and heavy grain to capture the visceral fusion of luxury spaces and raw street iconography.
This duality is translated through a deliberate typographic pairing: Caslon (1722) provides historical weight and tradition, while Helvetica Neue serves as a structural counterpoint, offering urban neutrality and contemporary functionality.
The chromatic system relies on a sober black-and-white base, with red acting as a disruptive element to evoke distortion and rage. This logic extends to the art direction, featuring direct-flash photography and heavy grain to capture the visceral fusion of luxury spaces and raw street iconography.
The visual identity for Senyor Trap is built on the collision of two antagonistic worlds: trap aesthetics and traditional bourgeois codes. The project explores the friction between these seemingly irreconcilable realms, creating a narrative where classic exclusivity and underground rawness converge into a 'high-low' aesthetic.
This duality is translated through a deliberate typographic pairing: Caslon (1722) provides historical weight and tradition, while Helvetica Neue serves as a structural counterpoint, offering urban neutrality and contemporary functionality.
The chromatic system relies on a sober black-and-white base, with red acting as a disruptive element to evoke distortion and rage. This logic extends to the art direction, featuring direct-flash photography and heavy grain to capture the visceral fusion of luxury spaces and raw street iconography.
This duality is translated through a deliberate typographic pairing: Caslon (1722) provides historical weight and tradition, while Helvetica Neue serves as a structural counterpoint, offering urban neutrality and contemporary functionality.
The chromatic system relies on a sober black-and-white base, with red acting as a disruptive element to evoke distortion and rage. This logic extends to the art direction, featuring direct-flash photography and heavy grain to capture the visceral fusion of luxury spaces and raw street iconography.
The visual identity for Senyor Trap is built on the collision of two antagonistic worlds: trap aesthetics and traditional bourgeois codes. The project explores the friction between these seemingly irreconcilable realms, creating a narrative where classic exclusivity and underground rawness converge into a 'high-low' aesthetic.
This duality is translated through a deliberate typographic pairing: Caslon (1722) provides historical weight and tradition, while Helvetica Neue serves as a structural counterpoint, offering urban neutrality and contemporary functionality.
The chromatic system relies on a sober black-and-white base, with red acting as a disruptive element to evoke distortion and rage. This logic extends to the art direction, featuring direct-flash photography and heavy grain to capture the visceral fusion of luxury spaces and raw street iconography.
This duality is translated through a deliberate typographic pairing: Caslon (1722) provides historical weight and tradition, while Helvetica Neue serves as a structural counterpoint, offering urban neutrality and contemporary functionality.
The chromatic system relies on a sober black-and-white base, with red acting as a disruptive element to evoke distortion and rage. This logic extends to the art direction, featuring direct-flash photography and heavy grain to capture the visceral fusion of luxury spaces and raw street iconography.
The visual identity for Senyor Trap is built on the collision of two antagonistic worlds: trap aesthetics and traditional bourgeois codes. The project explores the friction between these seemingly irreconcilable realms, creating a narrative where classic exclusivity and underground rawness converge into a 'high-low' aesthetic.
This duality is translated through a deliberate typographic pairing: Caslon (1722) provides historical weight and tradition, while Helvetica Neue serves as a structural counterpoint, offering urban neutrality and contemporary functionality.
The chromatic system relies on a sober black-and-white base, with red acting as a disruptive element to evoke distortion and rage. This logic extends to the art direction, featuring direct-flash photography and heavy grain to capture the visceral fusion of luxury spaces and raw street iconography.
This duality is translated through a deliberate typographic pairing: Caslon (1722) provides historical weight and tradition, while Helvetica Neue serves as a structural counterpoint, offering urban neutrality and contemporary functionality.
The chromatic system relies on a sober black-and-white base, with red acting as a disruptive element to evoke distortion and rage. This logic extends to the art direction, featuring direct-flash photography and heavy grain to capture the visceral fusion of luxury spaces and raw street iconography.
The visual identity for Senyor Trap is built on the collision of two antagonistic worlds: trap aesthetics and traditional bourgeois codes. The project explores the friction between these seemingly irreconcilable realms, creating a narrative where classic exclusivity and underground rawness converge into a 'high-low' aesthetic.
This duality is translated through a deliberate typographic pairing: Caslon (1722) provides historical weight and tradition, while Helvetica Neue serves as a structural counterpoint, offering urban neutrality and contemporary functionality.
The chromatic system relies on a sober black-and-white base, with red acting as a disruptive element to evoke distortion and rage. This logic extends to the art direction, featuring direct-flash photography and heavy grain to capture the visceral fusion of luxury spaces and raw street iconography.
This duality is translated through a deliberate typographic pairing: Caslon (1722) provides historical weight and tradition, while Helvetica Neue serves as a structural counterpoint, offering urban neutrality and contemporary functionality.
The chromatic system relies on a sober black-and-white base, with red acting as a disruptive element to evoke distortion and rage. This logic extends to the art direction, featuring direct-flash photography and heavy grain to capture the visceral fusion of luxury spaces and raw street iconography.
Visual identity, editorial, and web design for a publication exploring humor as a form of alternative therapy. The project uses wit and cultural commentary to reflect on daily life (from sports to labor) without taking sides, aiming to foster both laughter and critical thought.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
Visual identity, editorial, and web design for a publication exploring humor as a form of alternative therapy. The project uses wit and cultural commentary to reflect on daily life (from sports to labor) without taking sides, aiming to foster both laughter and critical thought.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
Visual identity, editorial, and web design for a publication exploring humor as a form of alternative therapy. The project uses wit and cultural commentary to reflect on daily life (from sports to labor) without taking sides, aiming to foster both laughter and critical thought.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
Visual identity, editorial, and web design for a publication exploring humor as a form of alternative therapy. The project uses wit and cultural commentary to reflect on daily life (from sports to labor) without taking sides, aiming to foster both laughter and critical thought.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
Visual identity, editorial, and web design for a publication exploring humor as a form of alternative therapy. The project uses wit and cultural commentary to reflect on daily life (from sports to labor) without taking sides, aiming to foster both laughter and critical thought.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
Visual identity, editorial, and web design for a publication exploring humor as a form of alternative therapy. The project uses wit and cultural commentary to reflect on daily life (from sports to labor) without taking sides, aiming to foster both laughter and critical thought.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
Visual identity, editorial, and web design for a publication exploring humor as a form of alternative therapy. The project uses wit and cultural commentary to reflect on daily life (from sports to labor) without taking sides, aiming to foster both laughter and critical thought.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
Visual identity, editorial, and web design for a publication exploring humor as a form of alternative therapy. The project uses wit and cultural commentary to reflect on daily life (from sports to labor) without taking sides, aiming to foster both laughter and critical thought.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
Visual identity, editorial, and web design for a publication exploring humor as a form of alternative therapy. The project uses wit and cultural commentary to reflect on daily life (from sports to labor) without taking sides, aiming to foster both laughter and critical thought.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
The typographic system features Mabry (Colophon Foundry) for headlines, blending geometric precision with a humanist touch, and Graphik (Commercial Type) for body text to ensure neutrality and balance.
A defining red spiral binding serves as a core brand element, while a diverse selection of paper stocks—offset, coated, and translucent—creates a tactile, dynamic reading experience. The digital extension offers supplementary video content and interviews, maintaining visual consistency through unified image treatment and a color-coded categorization system.
FILM CREDITS OF HELLBOY
A conceptual redesign of the Hellboy title sequence, where heavy metal aesthetics serve as the foundation to visually translate the character’s dark and visceral nature.
The typography—dynamic, sharp, and aggressive—functions as a visual metaphor for hellfire, delivering a commanding presence on screen. This art direction not only reinforces Hellboy’s demonic heritage but also captures his rebellious identity and untamed spirit through a high-impact visual narrative.
The typography—dynamic, sharp, and aggressive—functions as a visual metaphor for hellfire, delivering a commanding presence on screen. This art direction not only reinforces Hellboy’s demonic heritage but also captures his rebellious identity and untamed spirit through a high-impact visual narrative.
FILM CREDITS OF HELLBOY
A conceptual redesign of the Hellboy title sequence, where heavy metal aesthetics serve as the foundation to visually translate the character’s dark and visceral nature.
The typography—dynamic, sharp, and aggressive—functions as a visual metaphor for hellfire, delivering a commanding presence on screen. This art direction not only reinforces Hellboy’s demonic heritage but also captures his rebellious identity and untamed spirit through a high-impact visual narrative.
The typography—dynamic, sharp, and aggressive—functions as a visual metaphor for hellfire, delivering a commanding presence on screen. This art direction not only reinforces Hellboy’s demonic heritage but also captures his rebellious identity and untamed spirit through a high-impact visual narrative.
FILM CREDITS OF HELLBOY
A conceptual redesign of the Hellboy title sequence, where heavy metal aesthetics serve as the foundation to visually translate the character’s dark and visceral nature.
The typography—dynamic, sharp, and aggressive—functions as a visual metaphor for hellfire, delivering a commanding presence on screen. This art direction not only reinforces Hellboy’s demonic heritage but also captures his rebellious identity and untamed spirit through a high-impact visual narrative.
The typography—dynamic, sharp, and aggressive—functions as a visual metaphor for hellfire, delivering a commanding presence on screen. This art direction not only reinforces Hellboy’s demonic heritage but also captures his rebellious identity and untamed spirit through a high-impact visual narrative.
FILM CREDITS OF HELLBOY
A conceptual redesign of the Hellboy title sequence, where heavy metal aesthetics serve as the foundation to visually translate the character’s dark and visceral nature.
The typography—dynamic, sharp, and aggressive—functions as a visual metaphor for hellfire, delivering a commanding presence on screen. This art direction not only reinforces Hellboy’s demonic heritage but also captures his rebellious identity and untamed spirit through a high-impact visual narrative.
The typography—dynamic, sharp, and aggressive—functions as a visual metaphor for hellfire, delivering a commanding presence on screen. This art direction not only reinforces Hellboy’s demonic heritage but also captures his rebellious identity and untamed spirit through a high-impact visual narrative.
FILM CREDITS OF HELLBOY
A conceptual redesign of the Hellboy title sequence, where heavy metal aesthetics serve as the foundation to visually translate the character’s dark and visceral nature.
The typography—dynamic, sharp, and aggressive—functions as a visual metaphor for hellfire, delivering a commanding presence on screen. This art direction not only reinforces Hellboy’s demonic heritage but also captures his rebellious identity and untamed spirit through a high-impact visual narrative.
The typography—dynamic, sharp, and aggressive—functions as a visual metaphor for hellfire, delivering a commanding presence on screen. This art direction not only reinforces Hellboy’s demonic heritage but also captures his rebellious identity and untamed spirit through a high-impact visual narrative.
FILM CREDITS OF HELLBOY
A conceptual redesign of the Hellboy title sequence, where heavy metal aesthetics serve as the foundation to visually translate the character’s dark and visceral nature.
The typography—dynamic, sharp, and aggressive—functions as a visual metaphor for hellfire, delivering a commanding presence on screen. This art direction not only reinforces Hellboy’s demonic heritage but also captures his rebellious identity and untamed spirit through a high-impact visual narrative.
The typography—dynamic, sharp, and aggressive—functions as a visual metaphor for hellfire, delivering a commanding presence on screen. This art direction not only reinforces Hellboy’s demonic heritage but also captures his rebellious identity and untamed spirit through a high-impact visual narrative.
FILM CREDITS OF HELLBOY
A conceptual redesign of the Hellboy title sequence, where heavy metal aesthetics serve as the foundation to visually translate the character’s dark and visceral nature.
The typography—dynamic, sharp, and aggressive—functions as a visual metaphor for hellfire, delivering a commanding presence on screen. This art direction not only reinforces Hellboy’s demonic heritage but also captures his rebellious identity and untamed spirit through a high-impact visual narrative.
The typography—dynamic, sharp, and aggressive—functions as a visual metaphor for hellfire, delivering a commanding presence on screen. This art direction not only reinforces Hellboy’s demonic heritage but also captures his rebellious identity and untamed spirit through a high-impact visual narrative.
FILM CREDITS OF HELLBOY
A conceptual redesign of the Hellboy title sequence, where heavy metal aesthetics serve as the foundation to visually translate the character’s dark and visceral nature.
The typography—dynamic, sharp, and aggressive—functions as a visual metaphor for hellfire, delivering a commanding presence on screen. This art direction not only reinforces Hellboy’s demonic heritage but also captures his rebellious identity and untamed spirit through a high-impact visual narrative.
The typography—dynamic, sharp, and aggressive—functions as a visual metaphor for hellfire, delivering a commanding presence on screen. This art direction not only reinforces Hellboy’s demonic heritage but also captures his rebellious identity and untamed spirit through a high-impact visual narrative.
PARC DE LA CIUTADELLA
As a landmark where culture, history, and nature converge, the Parc de la Ciutadella required a cohesive visual language. This project introduces a systematic identity inspired by the park’s unique architectural heritage.
By synthesizing the forms of its most iconic buildings, I developed a modular iconographic system. This allows for a dual communication strategy: each symbol functions independently to represent specific venues and activities, while their collective use forms a unified core identity that highlights the park’s role as a major cultural and natural ecosystem.
By synthesizing the forms of its most iconic buildings, I developed a modular iconographic system. This allows for a dual communication strategy: each symbol functions independently to represent specific venues and activities, while their collective use forms a unified core identity that highlights the park’s role as a major cultural and natural ecosystem.
PARC DE LA CIUTADELLA
As a landmark where culture, history, and nature converge, the Parc de la Ciutadella required a cohesive visual language. This project introduces a systematic identity inspired by the park’s unique architectural heritage.
By synthesizing the forms of its most iconic buildings, I developed a modular iconographic system. This allows for a dual communication strategy: each symbol functions independently to represent specific venues and activities, while their collective use forms a unified core identity that highlights the park’s role as a major cultural and natural ecosystem.
By synthesizing the forms of its most iconic buildings, I developed a modular iconographic system. This allows for a dual communication strategy: each symbol functions independently to represent specific venues and activities, while their collective use forms a unified core identity that highlights the park’s role as a major cultural and natural ecosystem.
PARC DE LA CIUTADELLA
As a landmark where culture, history, and nature converge, the Parc de la Ciutadella required a cohesive visual language. This project introduces a systematic identity inspired by the park’s unique architectural heritage.
By synthesizing the forms of its most iconic buildings, I developed a modular iconographic system. This allows for a dual communication strategy: each symbol functions independently to represent specific venues and activities, while their collective use forms a unified core identity that highlights the park’s role as a major cultural and natural ecosystem.
By synthesizing the forms of its most iconic buildings, I developed a modular iconographic system. This allows for a dual communication strategy: each symbol functions independently to represent specific venues and activities, while their collective use forms a unified core identity that highlights the park’s role as a major cultural and natural ecosystem.
PARC DE LA CIUTADELLA
As a landmark where culture, history, and nature converge, the Parc de la Ciutadella required a cohesive visual language. This project introduces a systematic identity inspired by the park’s unique architectural heritage.
By synthesizing the forms of its most iconic buildings, I developed a modular iconographic system. This allows for a dual communication strategy: each symbol functions independently to represent specific venues and activities, while their collective use forms a unified core identity that highlights the park’s role as a major cultural and natural ecosystem.
By synthesizing the forms of its most iconic buildings, I developed a modular iconographic system. This allows for a dual communication strategy: each symbol functions independently to represent specific venues and activities, while their collective use forms a unified core identity that highlights the park’s role as a major cultural and natural ecosystem.
PARC DE LA CIUTADELLA
As a landmark where culture, history, and nature converge, the Parc de la Ciutadella required a cohesive visual language. This project introduces a systematic identity inspired by the park’s unique architectural heritage.
By synthesizing the forms of its most iconic buildings, I developed a modular iconographic system. This allows for a dual communication strategy: each symbol functions independently to represent specific venues and activities, while their collective use forms a unified core identity that highlights the park’s role as a major cultural and natural ecosystem.
By synthesizing the forms of its most iconic buildings, I developed a modular iconographic system. This allows for a dual communication strategy: each symbol functions independently to represent specific venues and activities, while their collective use forms a unified core identity that highlights the park’s role as a major cultural and natural ecosystem.
TORANESA TYPE
A bespoke slab-serif display typeface designed for the street signage of Torà (Catalonia). The project is rooted in the town’s industrial legacy, specifically it’s history as home to one of Spain’s most significant iron forges.
The typeface mirrors the raw materiality of ironwork through robust, heavy serifs, while specific characters feature ornamental flourishes inspired by the town’s vernacular wrought iron gates and lanterns. This project goes beyond functional wayfinding; it is a typographic tribute to local heritage, blending historical craftsmanship with contemporary type design to preserve the visual essence of the community.
The typeface mirrors the raw materiality of ironwork through robust, heavy serifs, while specific characters feature ornamental flourishes inspired by the town’s vernacular wrought iron gates and lanterns. This project goes beyond functional wayfinding; it is a typographic tribute to local heritage, blending historical craftsmanship with contemporary type design to preserve the visual essence of the community.
TORANESA TYPE
A bespoke slab-serif display typeface designed for the street signage of Torà (Catalonia). The project is rooted in the town’s industrial legacy, specifically it’s history as home to one of Spain’s most significant iron forges.
The typeface mirrors the raw materiality of ironwork through robust, heavy serifs, while specific characters feature ornamental flourishes inspired by the town’s vernacular wrought iron gates and lanterns. This project goes beyond functional wayfinding; it is a typographic tribute to local heritage, blending historical craftsmanship with contemporary type design to preserve the visual essence of the community.
The typeface mirrors the raw materiality of ironwork through robust, heavy serifs, while specific characters feature ornamental flourishes inspired by the town’s vernacular wrought iron gates and lanterns. This project goes beyond functional wayfinding; it is a typographic tribute to local heritage, blending historical craftsmanship with contemporary type design to preserve the visual essence of the community.
TORANESA TYPE
A bespoke slab-serif display typeface designed for the street signage of Torà (Catalonia). The project is rooted in the town’s industrial legacy, specifically it’s history as home to one of Spain’s most significant iron forges.
The typeface mirrors the raw materiality of ironwork through robust, heavy serifs, while specific characters feature ornamental flourishes inspired by the town’s vernacular wrought iron gates and lanterns. This project goes beyond functional wayfinding; it is a typographic tribute to local heritage, blending historical craftsmanship with contemporary type design to preserve the visual essence of the community.
The typeface mirrors the raw materiality of ironwork through robust, heavy serifs, while specific characters feature ornamental flourishes inspired by the town’s vernacular wrought iron gates and lanterns. This project goes beyond functional wayfinding; it is a typographic tribute to local heritage, blending historical craftsmanship with contemporary type design to preserve the visual essence of the community.
TORANESA TYPE
A bespoke slab-serif display typeface designed for the street signage of Torà (Catalonia). The project is rooted in the town’s industrial legacy, specifically it’s history as home to one of Spain’s most significant iron forges.
The typeface mirrors the raw materiality of ironwork through robust, heavy serifs, while specific characters feature ornamental flourishes inspired by the town’s vernacular wrought iron gates and lanterns. This project goes beyond functional wayfinding; it is a typographic tribute to local heritage, blending historical craftsmanship with contemporary type design to preserve the visual essence of the community.
The typeface mirrors the raw materiality of ironwork through robust, heavy serifs, while specific characters feature ornamental flourishes inspired by the town’s vernacular wrought iron gates and lanterns. This project goes beyond functional wayfinding; it is a typographic tribute to local heritage, blending historical craftsmanship with contemporary type design to preserve the visual essence of the community.
TORANESA TYPE
A bespoke slab-serif display typeface designed for the street signage of Torà (Catalonia). The project is rooted in the town’s industrial legacy, specifically it’s history as home to one of Spain’s most significant iron forges.
The typeface mirrors the raw materiality of ironwork through robust, heavy serifs, while specific characters feature ornamental flourishes inspired by the town’s vernacular wrought iron gates and lanterns. This project goes beyond functional wayfinding; it is a typographic tribute to local heritage, blending historical craftsmanship with contemporary type design to preserve the visual essence of the community.
The typeface mirrors the raw materiality of ironwork through robust, heavy serifs, while specific characters feature ornamental flourishes inspired by the town’s vernacular wrought iron gates and lanterns. This project goes beyond functional wayfinding; it is a typographic tribute to local heritage, blending historical craftsmanship with contemporary type design to preserve the visual essence of the community.
TORANESA TYPE
A bespoke slab-serif display typeface designed for the street signage of Torà (Catalonia). The project is rooted in the town’s industrial legacy, specifically it’s history as home to one of Spain’s most significant iron forges.
The typeface mirrors the raw materiality of ironwork through robust, heavy serifs, while specific characters feature ornamental flourishes inspired by the town’s vernacular wrought iron gates and lanterns. This project goes beyond functional wayfinding; it is a typographic tribute to local heritage, blending historical craftsmanship with contemporary type design to preserve the visual essence of the community.
The typeface mirrors the raw materiality of ironwork through robust, heavy serifs, while specific characters feature ornamental flourishes inspired by the town’s vernacular wrought iron gates and lanterns. This project goes beyond functional wayfinding; it is a typographic tribute to local heritage, blending historical craftsmanship with contemporary type design to preserve the visual essence of the community.
TORANESA TYPE
A bespoke slab-serif display typeface designed for the street signage of Torà (Catalonia). The project is rooted in the town’s industrial legacy, specifically it’s history as home to one of Spain’s most significant iron forges.
The typeface mirrors the raw materiality of ironwork through robust, heavy serifs, while specific characters feature ornamental flourishes inspired by the town’s vernacular wrought iron gates and lanterns. This project goes beyond functional wayfinding; it is a typographic tribute to local heritage, blending historical craftsmanship with contemporary type design to preserve the visual essence of the community.
The typeface mirrors the raw materiality of ironwork through robust, heavy serifs, while specific characters feature ornamental flourishes inspired by the town’s vernacular wrought iron gates and lanterns. This project goes beyond functional wayfinding; it is a typographic tribute to local heritage, blending historical craftsmanship with contemporary type design to preserve the visual essence of the community.
TORANESA TYPE
A bespoke slab-serif display typeface designed for the street signage of Torà (Catalonia). The project is rooted in the town’s industrial legacy, specifically it’s history as home to one of Spain’s most significant iron forges.
The typeface mirrors the raw materiality of ironwork through robust, heavy serifs, while specific characters feature ornamental flourishes inspired by the town’s vernacular wrought iron gates and lanterns. This project goes beyond functional wayfinding; it is a typographic tribute to local heritage, blending historical craftsmanship with contemporary type design to preserve the visual essence of the community.
The typeface mirrors the raw materiality of ironwork through robust, heavy serifs, while specific characters feature ornamental flourishes inspired by the town’s vernacular wrought iron gates and lanterns. This project goes beyond functional wayfinding; it is a typographic tribute to local heritage, blending historical craftsmanship with contemporary type design to preserve the visual essence of the community.
Specializes in editorial design, visual identity, and conceptual thinking. Our goal is to transform ideas into graphic solutions where precision and expressiveness converge, creating visual languages that respond to the specific communication needs of each project. Driven by constant research and a strong inclination toward visual culture and typography, we develop approaches that seek the balance between functionality and experimentation.
Based in Barcelona, the studio is built on a solid foundation in graphic design and a constant curiosity for visual culture. We view design as a strategic and creative tool that allows us to explore new visual languages, focusing on technical rigor and meticulous attention to detail at every stage of the process.
Contact
[ig] @miramunt.studio
[e] joan@miramuntstudio.com
[t] 664549131